The Girl, The Myth, The FanfictionMain MenuThe Sequential PathThe Performance PathThe Gender PathThe Rowling PathTaylor Faires4a8fceb64cfcf43d67994a1c1c776ab0fe281ba1This project was made possible by the Barnard Digital Humanities Center
12020-06-10T21:17:46+00:00Taylor Faires4a8fceb64cfcf43d67994a1c1c776ab0fe281ba1A Very Potter Musical Act 2 Part 52Act 2 Part 5 of YouTube musical, A Very Potter Musicalplain2020-07-16T15:13:10+00:00University of Michigan2009Matt Lang, Nick Lang, A.J. Holmes, Darren Criss, and Brian HoldenTaylor Faires4a8fceb64cfcf43d67994a1c1c776ab0fe281ba1
This page is referenced by:
12020-06-10T21:17:46+00:00Beyond the Page2visual_path2020-06-16T15:55:34+00:00Up until now, this digital project has focused on the performative aspects of written fanfiction and the tropes that exist within the medium. Fan-generated works, however, don’t always follow the model of written material on the Internet. Upon leaving the online archive, we can find examples of all sorts of works that could potentially count as fanfiction or, at least, transformative fan work. In this section, I explore the various ways that fans engage with the text outside of written fanfiction, analyzing fan-written music, podcasts, theatrical production, and interactive websites.